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Glorianna Davenport
Principal Research Associate
Director of Interactive Cinema
gid@media.mit.edu

 

 

 

Digital media and networked two-way channels are transforming our access to knowledge, our inventions and our artistic messages. As we create narratives for our future, artists are using technology and content to redefine the relationship between maker and recipient.

Davenport G; Bradley B; Agamanolis S; Barry B; Brooks KM (2000).
Synergistic storyscapes and constructionist cinematic sharing
IBM Systems Journal, vol.39, no.3-4, 2000, pp.456-69.
Sparacino F; Davenport G; Pentland A (2000).
Media in performance: Interactive spaces for dance, theater, circus, and museum exhibits
IBM Systems Journal, vol.39, no.3-4, 2000, pp.479-510.
Davenport G (2000).
Your own virtual storyworld
Scientific American, vol. 283, no. 5, pp. 79-82, November 2000.
Kelliher A; Seo JJH; Pan P; Lin C; Davenport G (2000).
Visual Interfaces for Sharable Media
ISEA 2000 International Symposium on Electronic Art, December 2000.
Lin C; Cheng D; Pan P; Seo JJH; Kelliher A; Davenport G (2000).
An Extensible Architecture for Multiple Applications with Shareable Media
International Workshop on Networked Appliances, November 2000.
Pan PK; Davenport G (2000).
I-Views: a community-oriented system for sharing streaming video on the Internet
Elsevier Computer Networks: the International Journal of Distributed Informatique,
vol.33, no.1-6, June 2000, pp.567-81. Netherlands.

Sparacino F; Davenport G; Pentland A (2000).
Wearable Cinema/Wearable City: bridging physical and virtual spaces through wearable computing
IMAGINA 2000, invited presentation, Monte Carlo, January 31st-February 3rd 2000.
Davenport G.
As we progress: network innovation and social change
ConTEL 99. 5th International Conference on Telecommunications and 2nd Broadband and Multimedia Workshop.
Proceedings. Univ. Zagreb. 1999, pp.3-7. Zagreb, Croatia.

Sparacino F; Larson K; MacNeil R; Davenport G; Pentland A (1999).
Technologies and methods for interactive exhibit design: from wireless object and body tracking to wearable computers
International Conference on Hypertext and Interactive Museums, ICHIM 99,
Washington, DC. Sept. 22-26, 1999.

F. Sparacino; DeVaul R; Wren C; MacNeil R; Davenport G; Pentland A (1999).
City of News
SIGGRAPH 99, Visual Proceedings, Emerging Technologies, Los Angeles, August 8-13, 1999.
Sparacino F; Davenport G; Pentland A (1999).
Media actors: characters in search of an author
Proceedings IEEE International Conference on Multimedia Computing and Systems.
IEEE Comput. Soc. Part vol.2, 1999, pp.439-46 vol.2.

Davenport G (1999).
Get a life: Thinking outside the box
IEEE Multimedia, Vol 6, Iss 1, pp 5-9, Jan.-March 1999.
Davenport G; with: Holmquist LE; Thomas M; Bjork S; Tallyn E; Oldroyd A; de Boer P; Axelsson AS; Schroeder E; Ljungberg F; Gater H; Hebert C; Persson P; Renstrom J; Stintzing L; Watson T; Olsson A; Beckestrom B; Lindblom A; Schroeder R; Simon K; Truve S; Wistrand E; Nitsche M; Binsted K; Rodatz C; Thuresson B; Walldius A; Rankin P; Rinman ML; Dormann C; Hales C; and Helander M (1998).
Fun: A condition of creative research
IEEE Multimedia 1998, Vol 5, Iss 3, pp 10-15.
Sparacino F; Wren C; Davenport G; Pentland A (1999).
Augmented Performance in Dance and Theater
International Dance and Technology 99 (IDAT99), at Arizona State University, Feb. 25-28, 1999.
Sparacino F; Wren C; Davenport G; Pentland A (1999).
Digital Circus: a computer-vision based interactive Virtual Studio
IMAGINA, Monte Carlo, Monaco, 18-20th January 1999.
Nemerovsky P; Davenport G (1999).
GuideShoes: navigation based on musical patterns
CHI 99.
Davenport G (1998).
Very distributed media stories: presence, time, imagination
Euro-Par'98 Parallel Processing. 4th International Euro-Par Conference. Proceedings.
Springer-Verlag. 1998, pp.47-54. Berlin, Germany.

Davenport G (1998).
Basic Digital Cinematography Concepts
IEEE Multimedia, vol. 5 no. 2, April-June 1998, pp 91 -91.
Davenport G (1998).
Curious learning, cultural bias, and the learning curve
IEEE Multimedia, vol.5, no.2, April-June 1998, pp.14-19. Publisher: IEEE, USA.
Davenport G; Murtaugh M (1997).
Automatist storyteller systems and the shifting sands of story
IBM Systems Journal, vol.36, no.3, 1997, pp.446-56. Publisher: IBM, USA.
Sparacino F; Oliver N; Pentland A; Davenport G (1997).
Responsive Portraits
The Eighth International Symposium on Electronic Art, Chicago, IL, September 1997.
Davenport G (1997).
Whose Bits are They, Anyway?
IEEE Multimedia, vol.4, no.3, July-Sept. 1997, pp.8-11.
Davenport G; Agamanolis S; Bradley B; Sparacino F (1997).
Encounters in DreamWorld: A Work in Progress.
Presented at Consciousness Reframed, 1st International CAiiA Research Conference,
University of Wales College, Newport, Wales, July 1997.

Davenport G; Bradley B (1997).
Everyone's Cinema: Toward the Future of Cinematics
Presented at Oberhausen International Short Film Festival,
Oberhausen, Germany, April 1997.

Sparacino F; Pentland A; Davenport G; et al. (1997).
City of News
Ars Electronica Festival, Linz, Austria.
Sparacino F; Pentland A; Davenport G (1997).
Wearable Performance
Digest of Papers. First International Symposium on Wearable Computers (Cat. No.97TB100199).
IEEE Comput. Soc. 1997, pp.181-2.

Davenport G (1996).
The Once and Future Story
Medientage Munchen '96, Fall Proceedings, Munich, Germany.
Sparacino F; Hall K; Wren C; Davenport, G; Pentland A (1997).
Improvisational Theater Space
The Sixth Biennal Symposium for Arts and Technology, Connecticut College, New London, CT,
February 27 - March 2, 1997.

Davenport G; Bradley B (1997).
The Care and Feeding of Users
IEEE Multimedia, vol.4, no.1, Jan.-March 1997, pp.8-11.
Davenport G (1996).
Smarter Tools for Storytelling Are They Just Around the Corner?
Visions and Views, IEEE Multimedia, vol. 4, no. 1, pp. 10-14.
Davenport G; Bradley B (1996).
Indexes Are Out, Models Are In
IEEE Multimedia, vol.3, no.3, Fall 1996, pp.10-15.
Davenport G (1996).
1001 Electronic Story Nights: Interactivity and the Language of Storytelling
Australian Film Commission's Language of Interactivity Conference, Summer 1996.
Morgenroth L; Lachman, R; Davenport G (1996).
Lurker" (live run)
Exploding Cinema, 25th International Film Festival. Rotterdam.
Davenport G; Lachman R (1996).
Australian Rules Lurker (live run - local version)
Language of Interactivity conference, Australian Film Commission. Sydney, Australia. Summer 1996.
Davenport G (1996).
Dexter and the evolving documentary
Proceedings ACM Multimedia 96. ACM. 1996, pp.441-2.
Davenport G; Murtaugh M (1995).
ConText: Towards the Evolving Documentary
ACM Multimedia '95, November 1995.
Davenport G (1995).
Still Seeking: Signposts of Things to Come?
IEEE Multimedia, vol.2, no.3, Fall 1995, pp.9-13. USA.
Davenport G; Friedlander L (1995)
Interactive Transformational Environments: Wheel of Life
(Chapter 1, pp. 1-25). Contextual Media: Multimedia and Interpretation.
MIT Press. Cambridge, MA.

Sparacino F; Wren C; Davenport G; Pentland A (1995).
HyperPlex: a World of 3D Interactive Digital Movies
IJCAI'95 Workshop on Entertainment and AI/Alife, Montreal, August.
Morgenroth L, Davenport G (1995).
Lurker: A Thinkie for the Society of Audience,
IC Technical Report.
Davenport G (1994).
Seeking Dynamic, Adaptive Story Environments
IEEE Multimedia, vol.1, no.3, Fall 1994, pp.9-13.
Davenport G; Pentland A; Picard R; Haase, K (1994).
Video and Image Semantics: Advanced Tools for Telecommunications
IEEE Multimedia, Summer, Vol. 1, No. 2, pp. 73-75.
Davenport G; Morgenroth L (1994).
Video Database Design: Convivial Storytelling Tools
IC Technical Report, April 1994.
Davenport G.
Bridging across content and tools
Computer Graphics (ACM), vol.28, no.1, Feb. 1994, pp.31-2. USA.
Morgenroth L; Davenport G (1994).
Let's See That Again: A Multiuse Video Database Project
IC Technical Report.
Davenport G; Evans R; Halliday,M (1993).
Orchestrating Digital Micromovies
Leonardo, vol.26, no.4, 1993, pp.283-8. USA.
Evans R; Davenport G (1993).
LogBoy: A Graphical Interface for Narrative Databases
IC Technical Report.
Aguierre Smith T; Davenport G (1992).
The Stratification System: A Design Environment for Random Access Video
Network and Operating Systems Support for Digital Audio and Video. Third International Workshop Proceedings.
Springer-Verlag. 1993, pp.250-61. Berlin, Germany.

Davenport G; Smith TA; Pincever N (1991).
Cinematic Primitives for Multimedia
IEEE Computer Graphics & Applications, vol.11, no.4, July 1991, pp.67-74.
Davenport G; Harber JD (1991).
Numbers, A Medium that Counts: Multimedia on the desktop in the1990's
IEEE Computer Graphics & Applications, vol.11, no.4, July 1991, pp.39-44.
Rubin B; and Davenport G (1989).
Structured Content Modeling for Cinematic Information
Sigchi Bulletin, vol.21, no.2, Oct. 1989, pp.78-9. USA.
Brøndmo H; Davenport G (1989).
Creating and Viewing the Elastic Charles - a Hypermedia Journal
Hypertext: State of the ART, July, Chapter 5, pp. 43-51. R. McAlesse and C. Green, Eds, Intellect, 1990.
Revised from document published in the Hypertext II Conference Proceedings, York, England, July, 1989.

Mackay W; Davenport G (1989).
Virtual Video Editing in Interactive Multi-Media
Communications of the ACM, vol.32, no.7, July 1989, pp.802-10.
Davenport G (1987).
New Orleans in Transition, 1983-1987: The Interactive Delivery of a Cinematic Case Study
The International Congress for Design and Planning Theory, Education Group Conference Proceedings, May.