Digital media and networked two-way channels are transforming our access to knowledge, our inventions and our artistic messages. As we create narratives for our future, artists are using technology and content to redefine the relationship between maker and recipient.

Davenport G; Bradley B; Agamanolis S; Barry B; Brooks KM (2000). Synergistic storyscapes and constructionist cinematic sharing IBM Systems Journal, vol.39, no.3-4, 2000, pp.456-69. Sparacino F; Davenport G; Pentland A (2000). Media in performance: Interactive spaces for dance, theater, circus, and museum exhibits IBM Systems Journal, vol.39, no.3-4, 2000, pp.479-510. Davenport G (2000). Your own virtual storyworld Scientific American, vol. 283, no. 5, pp. 79-82, November 2000. Kelliher A; Seo JJH; Pan P; Lin C; Davenport G (2000). Visual Interfaces for Sharable Media ISEA 2000 International Symposium on Electronic Art, December 2000. Lin C; Cheng D; Pan P; Seo JJH; Kelliher A; Davenport G (2000). An Extensible Architecture for Multiple Applications with Shareable Media International Workshop on Networked Appliances, November 2000. Pan PK; Davenport G (2000). I-Views: a community-oriented system for sharing streaming video on the Internet Elsevier Computer Networks: the International Journal of Distributed Informatique, vol.33, no.1-6, June 2000, pp.567-81. Netherlands. Sparacino F; Davenport G; Pentland A (2000). Wearable Cinema/Wearable City: bridging physical and virtual spaces through wearable computing IMAGINA 2000, invited presentation, Monte Carlo, January 31st-February 3rd 2000. Davenport G. As we progress: network innovation and social change ConTEL 99. 5th International Conference on Telecommunications and 2nd Broadband and Multimedia Workshop. Proceedings. Univ. Zagreb. 1999, pp.3-7. Zagreb, Croatia. Sparacino F; Larson K; MacNeil R; Davenport G; Pentland A (1999). Technologies and methods for interactive exhibit design: from wireless object and body tracking to wearable computers International Conference on Hypertext and Interactive Museums, ICHIM 99, Washington, DC. Sept. 22-26, 1999. F. Sparacino; DeVaul R; Wren C; MacNeil R; Davenport G; Pentland A (1999). City of News SIGGRAPH 99, Visual Proceedings, Emerging Technologies, Los Angeles, August 8-13, 1999. Sparacino F; Davenport G; Pentland A (1999). Media actors: characters in search of an author Proceedings IEEE International Conference on Multimedia Computing and Systems. IEEE Comput. Soc. Part vol.2, 1999, pp.439-46 vol.2. Davenport G (1999). Get a life: Thinking outside the box IEEE Multimedia, Vol 6, Iss 1, pp 5-9, Jan.-March 1999. Davenport G; with: Holmquist LE; Thomas M; Bjork S; Tallyn E; Oldroyd A; de Boer P; Axelsson AS; Schroeder E; Ljungberg F; Gater H; Hebert C; Persson P; Renstrom J; Stintzing L; Watson T; Olsson A; Beckestrom B; Lindblom A; Schroeder R; Simon K; Truve S; Wistrand E; Nitsche M; Binsted K; Rodatz C; Thuresson B; Walldius A; Rankin P; Rinman ML; Dormann C; Hales C; and Helander M (1998). Fun: A condition of creative research IEEE Multimedia 1998, Vol 5, Iss 3, pp 10-15. Sparacino F; Wren C; Davenport G; Pentland A (1999). Augmented Performance in Dance and Theater International Dance and Technology 99 (IDAT99), at Arizona State University, Feb. 25-28, 1999. Sparacino F; Wren C; Davenport G; Pentland A (1999). Digital Circus: a computer-vision based interactive Virtual Studio IMAGINA, Monte Carlo, Monaco, 18-20th January 1999. Nemerovsky P; Davenport G (1999). GuideShoes: navigation based on musical patterns CHI 99. Davenport G (1998). Very distributed media stories: presence, time, imagination Euro-Par'98 Parallel Processing. 4th International Euro-Par Conference. Proceedings. Springer-Verlag. 1998, pp.47-54. Berlin, Germany. Davenport G (1998). Basic Digital Cinematography Concepts IEEE Multimedia, vol. 5 no. 2, April-June 1998, pp 91 -91. Davenport G (1998). Curious learning, cultural bias, and the learning curve IEEE Multimedia, vol.5, no.2, April-June 1998, pp.14-19. Publisher: IEEE, USA. Davenport G; Murtaugh M (1997). Automatist storyteller systems and the shifting sands of story IBM Systems Journal, vol.36, no.3, 1997, pp.446-56. Publisher: IBM, USA. Sparacino F; Oliver N; Pentland A; Davenport G (1997). Responsive Portraits The Eighth International Symposium on Electronic Art, Chicago, IL, September 1997. Davenport G (1997). Whose Bits are They, Anyway? IEEE Multimedia, vol.4, no.3, July-Sept. 1997, pp.8-11. Davenport G; Agamanolis S; Bradley B; Sparacino F (1997). Encounters in DreamWorld: A Work in Progress. Presented at Consciousness Reframed, 1st International CAiiA Research Conference, University of Wales College, Newport, Wales, July 1997. Davenport G; Bradley B (1997). Everyone's Cinema: Toward the Future of Cinematics Presented at Oberhausen International Short Film Festival, Oberhausen, Germany, April 1997. Sparacino F; Pentland A; Davenport G; et al. (1997). City of News Ars Electronica Festival, Linz, Austria. Sparacino F; Pentland A; Davenport G (1997). Wearable Performance Digest of Papers. First International Symposium on Wearable Computers (Cat. No.97TB100199). IEEE Comput. Soc. 1997, pp.181-2. Davenport G (1996). The Once and Future Story Medientage Munchen '96, Fall Proceedings, Munich, Germany. Sparacino F; Hall K; Wren C; Davenport, G; Pentland A (1997). Improvisational Theater Space The Sixth Biennal Symposium for Arts and Technology, Connecticut College, New London, CT, February 27 - March 2, 1997. Davenport G; Bradley B (1997). The Care and Feeding of Users IEEE Multimedia, vol.4, no.1, Jan.-March 1997, pp.8-11. Davenport G (1996). Smarter Tools for Storytelling Are They Just Around the Corner? Visions and Views, IEEE Multimedia, vol. 4, no. 1, pp. 10-14. Davenport G; Bradley B (1996). Indexes Are Out, Models Are In IEEE Multimedia, vol.3, no.3, Fall 1996, pp.10-15. Davenport G (1996). 1001 Electronic Story Nights: Interactivity and the Language of Storytelling Australian Film Commission's Language of Interactivity Conference, Summer 1996. Morgenroth L; Lachman, R; Davenport G (1996). Lurker" (live run) Exploding Cinema, 25th International Film Festival. Rotterdam. Davenport G; Lachman R (1996). Australian Rules Lurker (live run - local version) Language of Interactivity conference, Australian Film Commission. Sydney, Australia. Summer 1996. Davenport G (1996). Dexter and the evolving documentary Proceedings ACM Multimedia 96. ACM. 1996, pp.441-2. Davenport G; Murtaugh M (1995). ConText: Towards the Evolving Documentary ACM Multimedia '95, November 1995. Davenport G (1995). Still Seeking: Signposts of Things to Come? IEEE Multimedia, vol.2, no.3, Fall 1995, pp.9-13. USA. Davenport G; Friedlander L (1995) Interactive Transformational Environments: Wheel of Life (Chapter 1, pp. 1-25). Contextual Media: Multimedia and Interpretation. MIT Press. Cambridge, MA. Sparacino F; Wren C; Davenport G; Pentland A (1995). HyperPlex: a World of 3D Interactive Digital Movies IJCAI'95 Workshop on Entertainment and AI/Alife, Montreal, August. Morgenroth L, Davenport G (1995). Lurker: A Thinkie for the Society of Audience, IC Technical Report. Davenport G (1994). Seeking Dynamic, Adaptive Story Environments IEEE Multimedia, vol.1, no.3, Fall 1994, pp.9-13. Davenport G; Pentland A; Picard R; Haase, K (1994). Video and Image Semantics: Advanced Tools for Telecommunications IEEE Multimedia, Summer, Vol. 1, No. 2, pp. 73-75. Davenport G; Morgenroth L (1994). Video Database Design: Convivial Storytelling Tools IC Technical Report, April 1994. Davenport G. Bridging across content and tools Computer Graphics (ACM), vol.28, no.1, Feb. 1994, pp.31-2. USA. Morgenroth L; Davenport G (1994). Let's See That Again: A Multiuse Video Database Project IC Technical Report. Davenport G; Evans R; Halliday,M (1993). Orchestrating Digital Micromovies Leonardo, vol.26, no.4, 1993, pp.283-8. USA. Evans R; Davenport G (1993). LogBoy: A Graphical Interface for Narrative Databases IC Technical Report. Aguierre Smith T; Davenport G (1992). The Stratification System: A Design Environment for Random Access Video Network and Operating Systems Support for Digital Audio and Video. Third International Workshop Proceedings. Springer-Verlag. 1993, pp.250-61. Berlin, Germany. Davenport G; Smith TA; Pincever N (1991). Cinematic Primitives for Multimedia IEEE Computer Graphics & Applications, vol.11, no.4, July 1991, pp.67-74. Davenport G; Harber JD (1991). Numbers, A Medium that Counts: Multimedia on the desktop in the1990's IEEE Computer Graphics & Applications, vol.11, no.4, July 1991, pp.39-44. Rubin B; and Davenport G (1989). Structured Content Modeling for Cinematic Information Sigchi Bulletin, vol.21, no.2, Oct. 1989, pp.78-9. USA. Brøndmo H; Davenport G (1989). Creating and Viewing the Elastic Charles - a Hypermedia Journal Hypertext: State of the ART, July, Chapter 5, pp. 43-51. R. McAlesse and C. Green, Eds, Intellect, 1990. Revised from document published in the Hypertext II Conference Proceedings, York, England, July, 1989. Mackay W; Davenport G (1989). Virtual Video Editing in Interactive Multi-Media Communications of the ACM, vol.32, no.7, July 1989, pp.802-10. Davenport G (1987). New Orleans in Transition, 1983-1987: The Interactive Delivery of a Cinematic Case Study The International Congress for Design and Planning Theory, Education Group Conference Proceedings, May.